Lina Martinez
Lina Martinez is a contemporary artist known for her vibrant use of color and innovative techniques.
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Meet Pedro Reyes, a Mexico City native born in 1972, who traded architectural blueprints for the boundless world of sculpture. Yet, Pedro isn’t just any sculptor; his creations are stages for theatre, activism, and a touch of psychology.
From the penetrable Capulas sculptures (2002-08) to the politically charged puppetry of Baby Marx (2008) and Manufacturing Mischief (2018), Reyes' work is anything but ordinary. In 2008, he launched 'Palas por Pistolas,' an inspired campaign turning 1,527 voluntarily donated guns into shovels to plant the same number of trees. This blossomed into 'Disarm' (2012), an awe-inspiring project that transformed 6,700 destroyed weapons into musical instruments. 🎶 His 'Sanatorium' (2011) takes the cake—a pop-up clinic blending art with psychology to provide unexpected treatments, catching the eyes of the Guggenheim in NYC and more globally from Documenta 13 in Kassel to Whitechapel Gallery in London. Then there’s pUN (People's United Nations), started in 2013 at the Queens Museum, a mock UN assembly where everyday folks use art, theater, and psychology to tackle global issues, proving that creativity can indeed change the world.
From the penetrable Capulas sculptures (2002-08) to the politically charged puppetry of Baby Marx (2008) and Manufacturing Mischief (2018), Reyes' work is anything but ordinary. In 2008, he launched 'Palas por Pistolas,' an inspired campaign turning 1,527 voluntarily donated guns into shovels to plant the same number of trees. This blossomed into 'Disarm' (2012), an awe-inspiring project that transformed 6,700 destroyed weapons into musical instruments. 🎶 His 'Sanatorium' (2011) takes the cake—a pop-up clinic blending art with psychology to provide unexpected treatments, catching the eyes of the Guggenheim in NYC and more globally from Documenta 13 in Kassel to Whitechapel Gallery in London. Then there’s pUN (People's United Nations), started in 2013 at the Queens Museum, a mock UN assembly where everyday folks use art, theater, and psychology to tackle global issues, proving that creativity can indeed change the world.
From the penetrable Capulas sculptures (2002-08) to the politically charged puppetry of Baby Marx (2008) and Manufacturing Mischief (2018), Reyes' work is anything but ordinary. In 2008, he launched 'Palas por Pistolas,' an inspired campaign turning 1,527 voluntarily donated guns into shovels to plant the same number of trees. This blossomed into 'Disarm' (2012), an awe-inspiring project that transformed 6,700 destroyed weapons into musical instruments. 🎶 His 'Sanatorium' (2011) takes the cake—a pop-up clinic blending art with psychology to provide unexpected treatments, catching the eyes of the Guggenheim in NYC and more globally from Documenta 13 in Kassel to Whitechapel Gallery in London. Then there’s pUN (People's United Nations), started in 2013 at the Queens Museum, a mock UN assembly where everyday folks use art, theater, and psychology to tackle global issues, proving that creativity can indeed change the world.
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