Ale de la Puente’s work deals with notions of time-space and memory through a continuous construction of poetic relations between experiences given by space and time from a technological, scientific, philosophical, to linguistic approach. De la Puente diverse background (artist with studies in Industrial Design, goldsmith, boatbuilding) and interests in time and space concepts had lead her to collaborate with several scientists in different fields from hypnotism, astronomy, nuclear physics to meteorology and mathematics. She has done collaborations with institutions such as, The National Institute of Astronomy and the National Institute of Nuclear Science UNAM. She had the been awarded with Honorary Mention Collide@CERN 2013, she has been member of the National System of Arts Creators (Sistema Nacional de Creadores, FONCA) and Young Creators Grant twice, both from the National Council for Arts Funds. The Pollock-Krasner Foundation Grant. She has exhibited her work nationally and internationally. Emilio Hinojosa Carrión studied at the Tchaikovsky Conservatory in Moscow under the guidance of Constantin Batashov and Nicolai Grigorov. His work spans the fields of choral and chamber music, installation, sound experimentation, and documentary. He has also created works in collaboration with visual artists such as Ale de la Puente

Ale de la Puente & Emilio Hinojosa Carrión worked on a project titled "April 5, 15232: Antes de mañana" inspired on a very rare astronomical phenomenon that consists of the simultaneity of a solar eclipse with a transit of Venus scheduled for April 5, 15,232 and that would be observable from Baja California, among other places on the planet. One of the pillars of this project is sky observation; Ale and Emilio worked for a couple of months with several schools in the area so that girls and boys develop sky observation diaries (with the aim that they understand the relationship of the movements of the stars with the seasons, crops, tides, etc.). The information from these logs (the children's observations) were then "translated" into music by Emilio and the final result was presented on March 22 in Plaza Mijares (a performance-concert in collaboration with the Ministry of Culture) and the children who have been working on the logs for months participated.